
“Where every bottle tells a story”
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There are some wine words that sound so clinical, so laboratory-sterile, that they seem utterly at odds with the romance of a glass of something ruby and glinting in candlelight. “Clone” is one of them. It conjures petri dishes and steel benches, not sun-warmed vineyards and the soft pop of a cork. And yet, once you understand what a grapevine clone really is, it becomes one of the most sensual, intimate secrets in the wine world: a story whispered from vine to vine, generation to generation, across centuries.
Let’s slip into that story together.
In the most straightforward terms, a grapevine clone is a group of vines that are genetically identical, all descended from a single, carefully selected “mother” vine.
But that sounds so stark, and vines are anything but. Imagine, instead, that you have one particularly enchanting vine in a vineyard: its grapes taste more intense, its bunches ripen evenly, its berries are small and concentrated, its leaves shrug off disease with enviable nonchalance. The grower, understandably smitten, decides: I want more of you.
So they take cuttings from that vine—little pieces of wood, called canes—root them, and plant them. Each new vine is, genetically, a replica of that original beloved vine: a clone. Not created in a laboratory, but in the field, with secateurs, soil, and time.
This is clonal selection: choosing a vine with desirable traits, then reproducing it vegetatively (without seeds) so those traits are preserved. It is, in essence, the wine world’s version of passing on a treasured family recipe exactly as it is, rather than improvising anew each time.
Before we can properly luxuriate in clones, we need to distinguish them from grape varieties.
Grape variety: Think of this as the “surname” of the grape. Chardonnay, Pinot Noir, Cabernet Sauvignon, Riesling—these are varieties. They’re broad categories with shared genetic identity and recognizable character.
Clone: This is the “given name,” or perhaps the personality within the family. A clone is a particular version of that variety, with subtle (or sometimes not-so-subtle) differences in how it behaves and what it gives in the glass.
So you might have:
All are Pinot Noir, but each is like a different sibling in the same family: one a brooding poet, another a flirty conversationalist, a third a quiet thinker who reveals themselves slowly.
This is why a winemaker talking about clones can sound almost like a novelist discussing their characters. They’re not being precious; they’re being precise.
Grapevines are perennials. They live for decades, sometimes a century or more, and over such stretches of time they do something marvelous: they mutate. Tiny genetic changes accumulate—most of them inconsequential, some of them transformative.
Historically, grape growers would walk their vineyards, taste, observe, and remember. They’d notice that a particular vine:
These special vines were chosen as the source of cuttings. Over generations, this quiet, patient selection led to distinct local clones. In Burgundy, for instance, many of the famed Pinot Noir clones began as “field selections”—chosen by eye, nose, and palate, not by microscope.
Modern clonal selection is more formalized and scientific:
But at the heart of it all is still the same old story: humans falling in love with the way a vine behaves and wanting to see more of that magic.
Clones are not a mere academic curiosity; they’re a winemaker’s toolkit, a grower’s palette. Different clones of the same variety can vary in:
For the grower, choosing clones is like choosing ingredients for a dish. In a cool climate, they might favor:
In a warmer region, they might seek:
Clones, in other words, are how a grower gently negotiates with climate and terroir.
Now we reach the part most of us care about most: taste. How does all this talk of clones translate into what’s swirling in your glass?
Take Pinot Noir, a grape famously sensitive and expressive, as an example. Different clones can give:
A winemaker might plant several clones in the same vineyard, then later blend the resulting wines:
The result is a wine with layers: high notes, low notes, and a satisfying chord in between, like a well-constructed piece of music.
The same holds for Chardonnay:
Blended together, they can make a wine that seems to unfurl in the mouth: first a bright, citrusy hello, then a deeper, more textural embrace.
You’ll sometimes see clones named or numbered on labels, particularly from producers who are especially proud of their plant material. A few you might encounter:
Dijon clones (e.g., 115, 667, 777 for Pinot Noir; 76, 95, 96 for Chardonnay) Developed in Burgundy and widely planted around the world, they’re prized for quality and specific flavor profiles.
Each name, each number, is a quiet nod to origin and personality—an acknowledgment that even within a single grape variety, there are multitudes.
There is, however, a tension at the heart of clonal selection. On one side, there is the seductive promise of control: consistency, predictability, and known quality. On the other, the wild, necessary beauty of diversity.
Pros of clones:
Cons of over-reliance on a few clones:
This is why many thoughtful growers now blend approaches:
It’s not unlike cooking: you might love a particular variety of tomato, but you’d never want a world in which only that tomato existed. The joy is in the interplay, the contrast, the unexpected harmony.
You don’t need to memorize clone numbers to enjoy wine—no one should need a horticultural degree to relish a glass. But understanding clones can:
Most of all, it enriches the story in your glass. You’re no longer just drinking “Chardonnay” or “Pinot Noir,” but a carefully curated ensemble of living lineages, chosen and nurtured with intention.
In the end, a grapevine clone is not some cold, sci‑fi replica, but a kind of vegetal memory. It is the echo of a single vine that, at some point in history, made someone stop, taste, and think: This is special. I want to keep this, exactly as it is.
Every time you drink a wine made from such vines, you’re tasting that decision. You’re tasting the preferences, the hopes, the quiet obsessions of growers and winemakers who chose one vine over another, one lineage over countless others. Clones are the way the vine’s past is carried into its future, like a cherished recipe passed down, unchanged, because it’s already perfect in its own delicious way.
So the next time you read about “Clone 777” or “Dijon 115,” don’t think of sterile laboratories. Think of a sun-drenched slope, a single vine that once stood out from the crowd, and the human hand that reached for its cane—gently, determined to let that particular expression of beauty live on in every glass.
Tannins are astringent compounds found in wine that contribute to its texture and aging potential, often causing a drying or puckering sensation in the mouth. They are derived from grape skins, seeds, and stems, as well as from oak barrels used during aging.
/ˈtænɪnz/
Malic acid is a naturally occurring organic acid found in grapes that contributes to the tart, green apple-like flavor and crispness in wine. It plays a significant role in the taste and acidity of wine.
/mælɪk ˈæsɪd/
Pommard clone (Pinot Noir)
Originating from the village of Pommard in Burgundy, often associated with structure and depth.
Swan, Calera, Mount Eden clones (Pinot Noir)
These are “heritage” or “heirloom” clones in California, often selected from old vineyards and now cherished for their distinctive character.
Old field selections
Sometimes called “massal selection,” where a vineyard is replanted using cuttings from a diverse set of old vines, rather than a single certified clone. This creates genetic diversity within the vineyard—a kind of living, breathing chorus rather than a soloist.
There’s a moment, when you pour a glass of wine, that feels almost indecently intimate. The bottle tips, the liquid arcs, and then—before you even bring the glass to your lips—you give it that little...
Filtration in winemaking is the process of removing solid particles from wine to clarify and stabilize it before bottling, using various types of filters to achieve different levels of clarity and remove unwanted elements like yeast, bacteria, and sediment.
/fɪlˈtreɪʃən/
Oxidation in wine is a chemical reaction between the wine and oxygen that can change its flavor, aroma, and color. This process can be beneficial or detrimental depending on the extent and context of the exposure.
/ˌɒksɪˈdeɪʃən/
Microclimate refers to the unique climate conditions of a small, specific area within a larger region, significantly influencing grapevine growth and the characteristics of the resulting wine.
/ˈmīkrōˌklīmit/
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